Print and download in PDF or MIDI La Cathédrale Engloutie – Composed by Claude DeBussy. Made by bmacs La Cathédrale engloutie (The Submerged Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in as the tenth prelude in Debussy’s first of two . In this piece, Debussy composes the music using motivic development, rather than thematic development. After all. Debussy – La Cathedrale Engloutie (Preludes Book 1 no) sheet music for Trumpet. You can access this piece (and all our high quality, printable PDF files) by.

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Knopf, Debussy quite often named his pieces with the exact image that he was composing about, like La MerDes pas sur la neigeor Jardins sous la pluie. This page was last edited on 21 Decemberat Apparently a re-engraving of the Durand score above. It is a complete exploration of chordal sound that encompasses the entire range of the piano, and that includes one of Debussy’s signature chords a major tonic triad with added 2nd and 6th scale degrees. In this piece, Debussy composes the music using motivic development, rather than thematic development.

Editor Pierre Gouin – Contact. This shows Debussy at his closest manifestation of musical impressionism. It begins in measure 28 and introduces a diatonic key for the first time, the key of C major.

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The copy from International Harp Archives has markings in pencil for harp. By using this site, you agree to the Terms of Use and Privacy Policy. MP3 file audio User: These file s are part of the Werner Icking Music Collection.

Macmillan, His Life and Mindvolume 2. La Cathedrale engloutie 5: To begin the piece, Debussy uses parallel fifths.

Moli, Debussy masterfully saturates the entire structure of the piece with these motifs in large- and small-scale ways. This is quite different from simple melodic doubling, like the 3rds in Voilesor the 5ths in La Merwhich are not usually heard alone without a significant accompanimental figure.

L.117 No.10 La cathédrale engloutie

The high D in measures 1, 3, and 5; the soprano E octave that occurs 12 times from measures ; the high B in measures 14 and To attain these effects that reflect images of the castle, most performers use specific techniques with regards to pedaling and articulation to affect tone color. Views Read Edit View history. Edition Peters For example, some performers use their full body weight to depress keys to create a rich sound. Creative Commons Attribution-ShareAlike 4.

Debussy: Préludes – Book 1: No. 10, La cathédrale engloutie (page 1 of 6) | Presto Sheet Music

Productions du Moliantegok, Retrieved 24 July Following the grand entrance and exit of the organ, the cathedral sinks back down into the ocean measures and the organ is heard once more, but from underwater. Klavierwerke, Band II pp. A second theme theme 2appearing for the first time in measuresrepeats in measures This prelude is an example of Debussy’s musical impressionism in that it is a musical depiction of, or allusion shfet, an image or idea. Creative Commons Attribution 3. Contents 1 Performances 1.


There are two methods of parallelism in music; exact and shewt.

La cathédrale engloutie

Performer Pages Chiara Bertoglio Piano. From Wikipedia, the free encyclopedia.

Creative Commons Attribution-NonCommercial 4. Retrieved from ” https: First, it brings back material from the middle of the A section, again centered on Cbut now in c minor. For example, motif 1 appears in the bottom of the right-hand chords on the 2nd, 3rd, and 4th quarter notes of measure 14 D-E-Band again in the next three acthedrale note beats D-E-B.