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It does however go on a bit, and there is the thought that it is used in a way to give the ragged lips of the players a bit of a rest before they are asked for more pain in the final section of the work.

Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague ee has earned international fame as a composer and arranger.

de Meij, Johan – Extreme Make-over (Score & Parts)

Klezmer Classics Planet Earth Score: The addition of the lower second results in a completely new sound world, completing the first metamorphosis. Bb Clarinet II 6. Eb Bass Tuba T. In Tchaikovsky arranged this movement for cello and orchestra. Again the volume throughout is high, so the key may well be to play it just below maximum as to create the effects that are written clearly into the score.

The percussion section will have its johab full from very nearly the word go up to five players or more may be needed at any one timeand the timpanist gets the chance to shine at figure with a metamorphosis of the original theme. Bb Tenor Sax 1. We ectreme it is a fine piece. Bb Bass Tuba T.


There is use of dynamic contrast as well as articulation nuance whilst the need for balance and tuning is paramount. He is much in demand as a guest conductor: Johan de Meij Amsterdam, September The middle section is a tad overlong and can be seen as an makeoover to rest the players before the final onslaught.

Bb Trumpet II 2. This fragile movement is joined seamlessly to the finale, a canonic treatment of the theme. The opening dw is set as a simple quartet, played makeeover marked semplice by two solo cornets, a horn and euphonium. Eb Horn IV 2. F Horn I 2. It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come.

It is a brilliant idea that comes startlingly to life. Some of the technical writing is frightening in its difficulty and no one is eextreme. Again and again little motifs and themes are heard and the detail in the writing is immense. Eb Alto Sax II 2. Eb Horn I 1. It is however a work of real beauty and elegance allied to some amazingly complex technical writing.

Trombone II C 2. As the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of the opening stanza. The piece itself is about 16 and a half minutes long and basically falls into a number of clearly defined sections.


F Horn IV 2. This is a cracker of a test piece. Finally, at we come to final climax with a subtle little echo of the Overture underscored in the 3rd cornet and flugel and with the bells peeling. In Extreme Make-over this theme is introduced in its original form by a brass quartet consisting of two ve, alto horn and euphonium.

Bb Clarinet I 6. Percussion Additional Parts [for European countries only] 1. It is certainly something different, but something that really does work well. Bb Trumpet III 2. The build to the final section will tax bands to the full and contains a subtle key change or does it?

Johan de Meij Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.

Extreme Make-over (Score & Parts)

There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible. F Horn II 2. mkaeover

Bb Bass Clarinet 2. AM Hal Leonard Instrumentation: It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner.

Bb Trumpet IV 2.