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It’s my feeling that you can never have too many paths to compare and cross-check mixes. I’m a fan of active bi-amped systems myself; however, the availability of active equipment doesn’t necessarily make passive gear irrelevant.
Also, your gear if your gear is reaching the twenty to thirty year mark replacing or at least checking the capacitors is a 2406 idea because that tends to be their shelf life.
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Want to add to the discussion? A former knob monkey popped the horns in mine and I replaced them with a pair of LSRs that I also like a lot.
I do know these things quite well. I’m also not a fan of Alesis amps. If you were to try a better amp you might be surprised. They’re a bit bottom heavy so the pair I had are currently on the tv behind the bar with an old TEAC amp. I don’t have personal experience with these but I’ve never heard anything bad about them, and their specs look perfectly reasonable.
406 in or sign up in seconds. That touches on what I was wondering; if new active systems have become so superior to older passive systems, that I’m hurting myself by not upgrading. Yeah, that should work nicely. Submit a new text post.
I’ve found reviews of them from around the time of their release and they seemed to get decent praise. Similarly, office pics are generally considered low-effort fluff, image posts should have some point other than karma and 4260 discussion. I’m not looking to replace them, rather seeking someone with some knowledge of them.
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They sound good and I’m able to mix relatively well on them, but I’m wondering if I’m living in the stone age by not upgrading these to a set of newer mid-range KRK’s or something. I believe the series was pretty popular back in the day, so someone has to have used these and compared them to others.
By the time you wear out cheap ones you’ve already paid for a good one, you know? I think you’re absolutely right though, the best plan is to add a second pair in time and not replace these outright, risking screwing myself.
Any input is appreciated. All that considered any disadvantages you may hear from your speakers age will be very audible hisses or hums which are easy fixes and not uncommon in the newer stuff. Does anyone have any experience, knowledge, or memory of these? I am definitely still happy with them and my mixes hold up well against similar mixes on newer equipment.
My monitors are each 8 ohm, jgl it looks like w 8ohm per side for the X If you 4026 good cables and clean power the only thing that really matters is crossovers and the speakers themselves two things that haven’t really changed over time. Unless you need a bigger one, in which case you’ll probably just get another one and run them in bridged mode. Thanks for the input. Similarly, office pics are generally considered low-effort fluff, image posts should have some point other than karma and promote discussion Check out our Discord server!
I have a set that I’m using as my main monitors and I’m just not sure how imperative 42006 is that I upgrade. Do not post pictures of text here, they will be removed. There hasn’t been any major technological breakthroughs in the speaker world besides taking what’s in your amp and putting it inside the speakers. How Did They Do That? If you sense any issues or just have some time on your hands you may want to take apart the amp and monitors and clean them up with high percentage isopropyl alcohol and contact cleaner I’d definitely hit up the pots and check any soldered parts.
I have asked around for some time and have never found someone familiar with them to tell me for sure how they stack up against the newer moderately priced stuff. I had about a 12 hr window between sessions to replace them and was fortunate enough to be able to A-B them with 6 other popular jbk. I never thought of the X series Crown stuff.
I would add that you’re not going to see any super improvements in mid range gear, if you want to get monitors save up and get something really good. The is still a nice speaker, I’d keep them. Become a Redditor and subscribe to one of thousands of communities. Are you dissatisfied with the mixes you’re getting out of them? If you know them and are happy with them, I wouldn’t rush to replace them – on the contrary, proceed with caution, as you could easily end up worse off than you started.
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All in all I’d save the money for a sweet mic or maybe some nice cans sound quality on those hasn’t changed much but the 40 years of wear on the padding of my s make them super uncomfortable for long sessions. Newer isn’t necessarily better, and familiarity counts for a whole lot. Thanks for the suggestion.
I’m not a big fan of KRKs. I typically wait and buy quality stuff as well.