Ukrainian repertoire. Viktor Kosenko worked towards the expansion of Ukrainian national Example 6 Kosenko Passacaglia. Example 7. Viktor Stepanovych Kosenko was a Soviet composer, concert pianist, and educator born in .. by Viktor Kosenko at the International Music Score Library Project (IMSLP); Passacaglia in G minor on YouTube, performed by Lera Auerbach.

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This page was last edited on 25 Decemberat Retrieved 30 June In Kiev, the composer’s circle of artistic acquaintances ;assacaglia. Retrieved 23 July The government of Soviet Ukraine valued Kosenko. Please obey the copyright laws of your country.

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Viktor Kosenko – Wikipedia

Since this work was first published after with the prescribed copyright notice, it is unlikely that this work is public domain in the USA. Musytschna Ukrainan.

Kosenko’s compositional talent was recognized early on. Piano Three Preludes, Op.

Contents 1 Performances 1. He was influenced by the musical environment in which he grew up. Some of these elements involved doubling melodies in thirds, sixths and tenths, using “open” fifths, and pedal points.

Soviet classical composers Ukrainian classical composers People from Saint Petersburg births deaths Burials at Baikove Cemetery Kyiv Conservatory faculty 20th-century classical composers Male classical composers.

During this period, Kosenko’s piano works were published for the first time. Golden book of Ukrainian elite, Volume 2. The booklet text to the CD- which contains kisenko complete set of 11 etudes – may be downloaded from Toccata Classics here.


Retrieved 24 July Following the successful debut of his music, Kosenko began to make many trips to perform his own music to places such as Kharkiv, DnipropetrovskLuhansk[10] and Moscow.

His first compositions were markedly influenced by the works of composers such as Alexander ScriabinPyotr Ilyich TchaikovskySergei Rachmaninoff[1] psssacaglia his compatriot Mykola Lysenko. By this time he was allowed by the Russian Association of Proletarian Musicians to have his first piano compositions published. It was she who then gave Kosenko his first lessons at the passacwglia.

Levko Revutskiy wrote, “Kosenko is a true master of high culture.

11 Etudes in the From of Old Dances, Op.19 (Kosenko, Viktor)

Retrieved from ” https: Kosenko spent most of his life in Zhytomyr, living in poverty, to which he seemed largely indifferent. The Complete Piano Sonatas”. During the s, part of his output was focused on the most demanding and impartial audience. He became closer to artists such as composers Borys Lyatoshynsky and Levko Revutskiy, and singers Ivan Patrozhynskiy and Maria Litvinenko-Volhemut who all highly evaluated both his musical and pedagogical activity.

Saint PetersburgRussia. Kosenko was popular not only as a composer, but also as an outstanding pianist who had a wide range of activity. Studies ; Dances ; For piano ; Scores featuring the piano ; For 1 player. In SeptemberKosenko gave his first concert, attended by his family and close friends, [8] traveling to Moscow the following year to meet with composers and musicians.

Viktor Kosenko

His first compositions for children, entitled Four Pieces for Children for fortepianowere written specifically for the Ukrainian Soviet fortepiano repertoire, [5] demonstrating his understanding of child psychology and deep knowledge of the main objectives of a passaxaglia. Tatiana Primak Khoury plays no. By using this site, you agree to the Terms of Use and Privacy Policy.


He consequently began to spend more time composing.

A true artist in the very sense of the word, he was a leading figure among the broad-minded artistic collective of the 20th-century Soviet music.

Kosenko organized passacaglja piano trio with violinist Volodymyr Skorokhod and cellist Vasyly Kolomyitsev, thus gaining popularity as a performer. Recorded on the label Toccata Classics and in at least one other recording, though perhaps not very many as of He was often invited to be in the juries of musical performance competitions as a well-known performer and respected pedagogue.

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He would attempt to improvise, showing signs of his musical potential early on. Following his death ina complete collection of his works was published. His contemporaries noted his playing style, brilliant technique, powerful artistic interpretation. As a student of the Saint Petersburg Conservatorythe young composer’s main focus was to become a performing pianist, only composing music when he was required to do so in theory classes.

Retrieved 23 June